![]() Sure, they want you to purchase their Pro edition and add-ons, but there’s plenty to enjoy without having to upgrade. So far as hardware is concerned, individual modules may not cost that much, but the cost does mount fast as you add multiple modules, and when it comes to deadmau5’ wall of modular synths, you can bet he’s several thousand dollars in (if not tens of thousands of dollars in). Rack 2 is the superior iteration on the original Rack, a virtual Eurorack studio. Just as classic, analog gear is still favored for its warm, gritty, and sometimes crunchy sound, the obsession with modular synthesis is far from over, and if anything, it’s only gaining momentum with songwriters and producers. There are many atmospheric sounds aboard. It doesn’t take much to fall in love with Zebralette – it comes loaded with plenty of great sounds – leads, keys, pads, basses, FX, and more. ![]() To top it off, you’re presented with two LFOs (one global, one per voice), a 32-stage multi-stage envelope generator (MSEG), three effects (EQ, delay, chorus / phaser), MIDI learn / unlearn of hardware controls (CC), polyphonic aftertouch, 300 factory presets, scalable UI, and support for Oddsound MTS-ESP. You also get stereo VCA with pan and volume modulation, VCA oscillator stacking with adjustable stereo width – single, dual, quad, and 11 modes, ADSR envelope with fall / rise (sustain slope) and velocity controls, and modulation (modwheel, velocity, pressure, breath, key follow, gate, and more). Zebralette comes with one, Zebra2 comes with four… although I’m sure that’s not a sales pitch on u-he’s part (just kidding – it is!).Īnyway, this striped horse synth comes with one Zebra2 oscillator (with 16-slot waveset), oscillator waveform editing with geomorph, spectromorph, geoblend, and spectroblend modes, 24 spectral effects (including sync, scatter, filter, phase distortion, and others), as well as up to 16-voice polyphonic, monophonic, and legato modes. Zebralette is a pared down version of their Zebra2 workhorse synth and its oscillators. ![]() Whether free or premium, u-he’s soft synths shine like the polished diamonds they are. Top Free Plugins For FL Studio, Final Thoughts.BBC Symphony Orchestra Discover by Spitfire Audio.Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound). In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. ![]() Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Playback of wavetables requires digital resampling to play different frequencies. ![]()
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