![]() Have you ever thought about making a hip-hop Nutcracker? You could use modern dance techniques in a musical theater piece, or ballet in a tap number. Another idea would be to work with a scientist or anthropologist closely on a topic that interests you to base movement from. For example, you could incorporate live music or live painting into the dance. If you ever feel stumped for ideas, consider how you can use other art forms or something seemingly completely unrelated to dance to create a new dance work. They also incorporated spoken word, video projection, and more. The post-modern dancers of the 1960’s used pedestrian movements such as walking and everyday gestures to make entire pieces. Incorporate post-modern dance techniques. You can create an entire piece off of this idea or, use it as a way to contrast your movement in other choreographic works.ħ. If you tend to move a certain way and create dances that all contain similar movement qualities, challenge yourself to create a movement study in ways that oppose your natural habits. The audience may get a 360 degree perspective or simply sit somewhere very close to the dancers. There is little to no barrier between the dancers and the audience in these settings. In these nontraditional venues, the audience is often given a new perspective from which to view dance because they are more up close and personal. You could make a site-specific work in a park, or produce a concert in a black box theater to help break up the frontal monotony of theater dance work. Choose to create a piece outside of the theater, or in a nontraditional space. Then, explore your ideas through movement.ĥ. Step back and brainstorm ideas about each element through writing. You can create entire dances based on one element alone, or use these individual elements to create variations on your dance phrases. Look at the basic elements of your dance: shape, space, time, and energy. ![]() This works particularly well with more ambient, sparse soundscapes.Ĥ. This will create a dramatically different effect on the relationship between the dance movement and the music. If you ever feel stuck choosing music, or you are working with a composer creating an original score, try choreographing without music at first. If you love improvisation or perhaps envision your final work being slightly different each night, you can even integrate improvisation into your piece! Videotaping improvisations can also be very helpful. You can improvise as the choreographer, or have your dancers improvise for you. Use improvisation as an impetus for movement, phrases, or overall dances. Instead of starting at the beginning and plowing all the way through, why not start in the middle? Or, begin working with several movement phrases and just see where it takes you.Ģ. Use them wisely! Here are some choreographic ideas to get your creative juices flowing: Be conscious and aware of how you use them – they can open up doors and also cause our creative process to come to a standstill. These are important to consider when creating movement for your piece.ĭifferent use of these elements can produce varying results when choreographing. The elements of dance include shape, space, time, and energy. However, if you are choreographing in these genres or another one altogether, breaking this mold can provide satisfying results. In these more traditional forms, the choreography may follow the music exactly and use a structure such as ABA – theme, variation on the theme, and repetition of the theme. ![]() Often times when people think of dance, they may imagine traditional ballet and jazz dance. Choreographing is a work of passion and expression that can be rewarding despite difficulties that may arise. Use whatever challenge you are facing to create something new. ![]() These are perfect opportunities to be daring and think outside of the box! Whether you are a new or seasoned choreographer, you may find yourself at a creative block during some part of the process. Setting dance choreography can be a daunting task. ![]()
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